The Necessary Death of Lewis Winter (Glasgow Trilogy) Page 23
A new job. A target. But something is about to go horribly wrong. Someone is going to end up dead.
Most gunmen say goodbye to the world with a bang. Frank’s still here. He’s lasted longer than he should have...
The breathtaking, devastating sequel to lauded debut The Necessary Death of Lewis Winter, How a Gunman Says Goodbye will plunge the reader back into the Glasgow underworld, where criminal organizations war for prominence and those caught up in events are tested at every turn.
Out soon
An extract follows here.. .
1
Careful on these stairs. That would be some return, falling flat on his face the first day back. Not the first time he’s been to the club since he had his hip replaced. He’s been haunting the place for the last two weeks. Letting everyone see he’s back. New hip, same old Frank. Someone got the message. Frank had a phone call this morning from John Young. Young’s the second in command, Peter Jamieson’s right-hand man. When Young calls you up and invites you to the club, it’s usually because Jamieson wants to see you. For some people, that could be very bad news. For Frank, it’s good. The recovery, the holiday – that was all fine. Enjoyable, for a while. It’s nice to put your feet up and not even think about work. It got boring, though. When your work is your life, a long holiday is a bad thing. He’s been itching to return to work. To be back in the loop. It’s taken a couple of weeks to convince people, but it seems to have worked.
In through the double doors at the top of the stairs. Into what’s known these days as the snooker room. The club and dance floor are downstairs, but they’re for customers. People in the business, people who know what the club’s really about, tend to stay upstairs. There’s a bar to your right as you come in the door. The main floor is taken up with snooker tables. They became Jamieson’s passion a couple of years ago. He has plenty of little hobbies. Harmless things to pass the time and relieve the pressure. He’ll get bored of snooker eventually and drift along to something else. Golf, probably. Right now, it’s snooker and horse racing. Not too many people in the snooker room at this time of day. A couple of hardy alcoholics at the bar. A few recognizable faces at the tables, killing time. One of them’s a loan shark that Frank’s seen at the club in the last couple of weeks. Seems to be hanging around a lot. Kenny McBride, Jamieson’s driver, is there too. Nobody that could be mistaken for important.
At the far end of the room is a short corridor. Rooms on both sides, offices, but only one that matters. Bottom of the corridor on your left-hand side, Peter Jamieson’s office. The room in which he runs his organization. He has a number of legit businesses, like the club, but they exist only to serve their illegitimate counterparts. Money is cleaned through the club; people like Frank are given fake jobs here to explain their income. He’s the security consultant for the club, apparently. The security consultant is walking along the corridor, making sure he hides the last trace of his limp. He’s fit enough to work, but he has to prove that to everyone. If they see the slight limp that remains, they’ll think he’s still an old cripple. He’s sixty-two now, which is old enough. But he’s no cripple. He’s quite determined about that.
Knocking on the door and waiting for a response. Someone’s calling for him to come in. He’s opening the door, seeing the familiar scene in front of him. Jamieson’s sitting behind his desk on the far side of the large room, facing the door. There are a couple of televisions behind him, usually showing horse racing. Not today. Today they’re both switched off. John Young is sitting on the old leather couch to Jamieson’s left. He’s always there. It’s a little trick they pull. Means that when someone sits opposite Jamieson, they can’t see Young, but he can see them. They’re a sharp pair, these two.
‘Frank,’ Jamieson’s saying, and standing up. ‘Good to see you, pal.’ This is more of a greeting than he expected. He was in the club a couple of days ago, saw Jamieson then. This is different, though, and they both know it. This is the official return.
He’s shaken hands with both Jamieson and Young, very uncharacteristic, and is now sitting in front of the desk.
‘It is good to have you back, Frank,’ Jamieson’s saying. ‘A relief, to be honest with you.’
Frank’s nodding politely. Better not to look too pleased with yourself. Better to remember what’s happened in your absence. Things change, even in the space of three months. They hired Calum MacLean, for a start. That was Frank’s recommendation. Calum has talent, and he’s smart. He’s young, too; Frank can’t remember if he’s even turned thirty yet. Jamieson would never say it, but Calum is Frank’s long-term replacement. Right now, he’s his backup, but he can’t even play that role. Injured on a job, both hands badly cut up. Frank hasn’t seen Calum for a while. Not since before the trip to Spain. It’s probably past time to pay a visit. Keep up to date. Things change, and you have to know about it to stay fresh.
‘You’ll take a glass of whiskey,’ Jamieson’s telling him. ‘You driving? Och, you can still have one.’
He’s filling two celebratory glasses. Celebrating the return of Frank MacLeod.
‘Oh, you know, I think your tan is fading,’ Jamieson’s saying with a smile. He sent Frank away for a couple of weeks, to stay in his little Spanish villa. Frank’s first foreign holiday in twenty years. A lovely relaxing break, if you like that sort of thing.
‘Good,’ Frank’s saying. ‘Hard to blend into a crowd round here, looking like a fucking Oompa-Loompa.’
Jokes out of the way, down to business. ‘Good to have you back, because we’re in need of your talents,’ Jamieson’s saying. ‘We need to send out a little message, and you’re the man for the job. I might have used Calum, but he’s out of action. That’s meant things running longer than they should have. Made us look a little weak.’
‘How is Calum?’ Frank’s asking. Making it sound like genuine concern for the boy. More concerned about the state of play within the organization. He respects Calum, but this is a cut-throat business. A boy with Calum’s talent doesn’t stay as backup for long.
Jamieson’s taking longer than expected to answer the question. Puffing out his cheeks, glancing at Young. Frank’s watching carefully. He knows Jamieson’s not convinced of Calum’s loyalty. That’s why Frank went to see Calum before flying to Spain. Tried to persuade him that organization-work is the way to go. The old head, winning round the young freelancer. Didn’t quite work.
‘Honestly? I think the boy’s still swinging the lead. Only one of his cuts was serious. It’s been patched up long enough for him to come to me and tell me he’s ready to work. I sent our doc round to have a look at him a couple of days ago. I don’t want to push him too much, but he reckons the boy’s good to work.’
Frank’s nodding. It all makes sense. Calum was a freelancer. Never worked for an organization before. He was brought in for the Lewis Winter job. Kill Winter, a dealer for Shug Francis. He did the job well, by all accounts. Shug worked out it was Calum who killed his man. Stupidly decided to strike back. Sent big Glen Davidson to kill Calum. It didn’t go well. Davidson’s knife may have slashed Calum’s hands, but it ended up ripping a hole in Davidson’s side. Another one of Shug’s men dead.
‘Best not to push him,’ Frank’s saying. ‘He’s not used to being in an organization. Freelancers get to run wild. Give him time.’
Frank might not want to be replaced, but it’ll happen eventually. When it does, it should be Calum who takes over. For Jamieson’s sake, it needs to be someone like Calum. Someone who lives the job, respects and understands it. There are far too many silly little buggers running around thinking they’re gunmen. They’re not. They’re just men with guns. He was thinking about this a lot in Spain. Thinking that he might just be the last of his generation. Frank, Pat and Bob are being replaced by Kyle, Conner and Jordan. Kids doing grown-up work. A talent like Calum is rare. Always was, but more so now. You have to handle him with care, make sure you don’t lose him to someone else.
‘I’ll speak to him aga
in, if you want,’ Frank’s saying. Hoping Jamieson will be smart enough to say no.
He’s grimacing. ‘Nah. You can only pass off that conversation as friendly once. Any more and he knows it’s me putting the squeeze on him.’ Jamieson’s sharp all right. ‘Never mind the boy,’ he’s saying, ‘it’s you I want to talk about. How’s the hip?’
‘Hip’s good,’ Frank’s saying with a smile. ‘Much better than before I went off.’
Jamieson’s nodding. This is what he wants to hear. ‘Good. I have a job for you.’ Lowering his voice now, getting more serious. He’s about to order a man’s death – it seems right that it should be solemn. ‘Shug’s been hard at work trying to get networks set up. He has more than one supplier. I think he’s getting his supply from down south. Can’t find any locals he’s using. We’ve managed to put a stop to a few of the networks, but one of them’s become a problem.’
This is what Frank expected to hear. It tallies with the rumours. Shug getting a little desperate. Word is Jamieson’s hired Nate Colgan to make sure no network gets off the ground. Intimidation and beatings. Stops anyone becoming enough of a problem that they have to be removed. Obviously one got through.
‘There’s a kid called Tommy Scott,’ Jamieson’s saying. ‘Wee bastard of a thing. We didn’t think much of him. He used to be a peddler. Street stuff. Ran with a gang, sold to them – shit like that. Used to do deliveries on a bicycle. A fucking bike! I guess I underestimated the bastard. I’ve been getting complaints. The kid cutting into our market, up Springburn way. I tried sending a warning, but the little bastard’s tough. Determined, too. Got one of his gangs providing security for his peddlers. Only has three or four guys delivering for him now, but a couple of months ago he had none. He’s growing fast, and stepping on toes. I’m fed up of hearing people complain. I need my people to know I’ll protect their patch. I need Shug-bloody-Francis to know his men aren’t safe.’
No great surprises here. Shug tries his luck with a bunch of ambitious young men in the business. One proves to be better than the rest. Now Frank has to deal with him. It’s bad luck for the kid.
Before he leaves the office, Young is showing him a photo of Scott. Telling him the address. A tower block, second floor from the top. Well, that’s just bloody brilliant. Very few places worse than that. Having to make an exit from a tower block is never ideal. You’re always a long way from your getaway. But location apart, it’s a soft job. They’re breaking him back in gently. Jamieson will be preparing a big move against Shug Francis. He must be. Should’ve done it by now. Shug’s been targeting Jamieson, so Jamieson must squash him or be considered feeble. This may be the first strike in that squashing. Scott looks like a typical council-estate kid. Greasy hair, tracksuit, probably a bunch of silly tattoos up his arm. It should be easy. He has one little mate who hangs around with him a lot, according to Young’s info. Andy McClure. Known as Clueless.
Frank’s walking out of the club now. A few little butterflies beginning to stir. Three months away. His last job had been a couple of months before that. It’s a long time idle, especially at his age. He’s nodding a polite goodbye to a few of the familiar faces on his way out. He’s dropping into the driver’s seat of his car. Those who know his business will understand that he’s back. A visit to Jamieson without stopping at the bar means work. Jamieson said it was a relief for him. He has no idea. When you live the job, you realize how empty life can be without it. Those three months began to drag. Spain was nice, but it’s not Frank’s style. Sunshine retirement is for other people. He wants the rain of Glasgow. The tension of the job. The thrill of it. That’s his life. Oh, it’s so good to be back.
The third book in the Glasgow Trilogy
THE SUDDEN ARRIVAL OF VIOLENCE
will be out soon...
He’s touching the front of his coat, feeling the shape of the gun. Should have got rid of it. On any other night, any other job, he would. This isn’t any other job. This, he intends, will be his last...
It begins with two deaths: a money-man and a grass. Deaths that offer a unique opportunity to a man like Calum MacLean. A man who has finally had enough of killing.
Meanwhile, two of Glasgow’s biggest criminal organizations are at quiet, deadly war with one another. And as Detective Michael Fisher knows, the biggest – and bloodiest – manoeuvres are yet to come...
The stunning conclusion to Malcolm Mackay’s lauded Glasgow Trilogy, The Sudden Arrival of Violence will return readers to the city’s underworld: a place of dark motives, dangerous allegiances and inescapable violence...
Praise for The Necessary Death of Lewis Winter
‘There aren’t too many crime novels that take the reader into the mind of a hit man, but Malcolm Mackay’s The Necessary Death of Lewis Winter, the first volume of a trilogy set in gangland Glasgow, does so with steely assurance ... Mackay writes in a staccato style, as befits the essentially brutal nature of his narrative . . . There is no appeal for sympathy, and that is refreshing in a genre that often has downright evil and sentimentalized goodness in conflict with each other until the inevitable, anticipated resolution. There’s no resolution, certainly no redemption, here. This is a truly exceptional debut’
Paul Bailey
‘The remarkable first book of a trilogy about Glasgow hit-man Calum MacLean, this marks the debut of 31-year-old Mackay . . . Mackay’s achievement is all the more stunning because drawing on his sublime imagination and innate empathy he has created a cast of characters so vivid - especially MacLean - that they live on in the memory long after the final page. There are Glasgow villains, bent policemen, a gangster’s moll with smarts to die for, not to mention the shabby drug-dealer Lewis Winter who has to die . . . ‘tartan noir’ will have a new star’
Daily Mail
‘A remarkably original debut ... a frighteningly plausible picture of Glasgow’s criminal underworld. The tension - and there’s a lot of it; this is a book that it would be hard not to finish in one sitting - builds as Calum’s plans near fruition, as Lewis goes about his life unaware, and as the realities of this dreary, dangerous world become clear . . . With small, quiet brushstrokes that it’s hard to see building up, Mackay turns each of his characters into real people - people with interests and back stories and all the small, inconsequential things that make up a life - and ends up with a wholly believable and unnerving portrait of organized crime’
Observer
‘The debut writer who is being hailed as tartan noir’s most authoritative and authentic new voice ... Mackay writes in a tough-guy style that is reminiscent of Raymond Chandler and Dashiell Hammett at their most hard-boiled... The Necessary Death of Lewis Winter has all the gangster genre’s classic ingredients: brutal, dramatic characters who instil fear, hard men dealing in the profits of human misery caused through lives ruined by drugs, the sort of villains who don’t want to know where all the bodies will be buried when other gangs muscle in on their turf’
Scotsman
‘Original... This is frills-free storytelling: the prose is clinical and un-adorned, the moralizing minimal, the narrative linear with no mystery element and nothing kept secret from the reader. Yet Mackay ratchets up the tension like a master, and his ability to create rounded characters makes his book, despite its dark subject matter, a breath of fresh air’
Daily Telegraph
‘On the evidence of his impressive debut Malcolm Mackay will no doubt be hailed as the newest member of the Tartan Noir community. Yet the feel and style of The Necessary Death of Lewis Winter is more American than Scottish ... a quietly absorbing gangland tale, full of moral ambiguities’
Marcel Berlins, The Times
‘From the outset Mackay’s debut makes it clear he has ambitions for this work that don’t fit the mould ... The first of a trilogy, The Necessary Death Of Lewis Winter would seem to take its inspiration less from Scottish noir antecedents, and more from American TV series such as Dexter, The Sopranos or Breaking Bad... impressively controlled and
confident... Mackay knows how to pace a story . . . Measuring out its excitement more like a morphine drip than a hit, the author insidiously builds up to a powerful conclusion. Whether he’s describing Calum’s last meal before the job and that of his prey or evoking the deceptively polite manners of his sinister employers, Mackay never deviates from the stony, heartless, dangerously restrained style he has set himself. It’s an audacious and risky tactic, but he pulls off his first hit with the same strong nerve and cool head his hero brings to his work’
Herald
‘Brutal, witty and well-written ... a brilliant debut’
Sunday Telegraph
‘Written with persuasive authority, The Necessary Death of Lewis Winter is cool, laconic and very enjoyable. I look forward eagerly to the second novel in the trilogy’
Allan Massie
THE NECESSARY DEATH OF LEWIS WINTER
Malcolm Mackay was born and grew up in Stornoway, where he still lives. The Necessary Death of Lewis Winter, his much lauded debut, is the first in the Glasgow Trilogy, set in the city’s underworld.
Follow Malcolm @malcolm_mackay
First published 2013 by Mantle
This electronic edition published 2013 by Pan Books
an imprint of Pan Macmillan, a division of Macmillan Publishers Limited
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www.panmacmillan.com
ISBN 978-0-230-76464-4
Copyright © Malcolm Mackay 2013
The right of Malcolm Mackay to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
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